Let me hold the song…

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First the silence before sunrise

frost and breath clouds

dog bark and cat’s eyes

the new day inhales

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Notes of boiling kettle

hiss of swirling steam

spoon of metal

scrapes ceramic bowl

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Chant of a prayer

velvet solitude

curled in a chair

rain taps the glass

First Love

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My face in the mirror looked different—

softer, rosier. 

My skin sang a humming song. 

“I’m in love,” I told my reflection.

The object of my affection,

a senior, was not an academic.

He came close to not graduating at all.

His name, Inigo de Martino,

like the Mexican film director,

but my Inigo claimed Spanish nobility.

Inigo was an artist. 

He designed and painted sets

for high school productions.

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We worked on the high school

literary magazine together.

That’s where it started.

Inigo would give me a ride

to our teacher-sponsor’s house.

The collaboration blossomed.

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Inigo rode a motorcycle.

He wore a leather jacket.

He smoked—but never around me.

He had a shock of shiny, straight dark hair.

He was slim and wiry, with big smile.

He wore round, dark-rimmed glasses.

I thought he was exotic and fascinating.

My father hated him.

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My father said,

“He always shakes my hand

to show me he isn’t holding a knife.”

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Inigo took me to the prom.

I wore a long dress of dotted Swiss,

very demure.

My hair styled short like a woman of forty.

We had our picture taken.

Inigo in suit and tie,

me with my corsage, smiling shyly.

*

Inigo graduated and joined the Navy.

I never saw him again.

Years later,

I found that prom photo

in my father’s wallet.

My father had neatly cut out

Inigo’s head.

Cross Off Yesterday

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When she peed on the rug

though you walked her so many times

in 26-degree air

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When you were impatient

used mean words

When you felt so sorry

for yourself

When all the asking

for help for food for attention

sucked out all you knew of God

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Don’t erase

the holy darkness before dawn

under waning starlight

the promise of the day

resting in warm flannels

the hawk’s grace and cry

geese invisible overhead

inked permanently

on the heart

The Crush

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He was the only boy in high school that I wanted.  He was the star of the class of ’69.  He played tennis in his white shorts.  He played varsity football.  He was in all the Advanced Placement classes. (So was I.)  But he thought fast and critically and spoke up a lot.  I rarely said anything. It was still the days when boys ruled classroom discussions.

I wanted his attention from ninth grade through twelfth. I wanted this rising star to want me by his side.  He was broad-shouldered, dark of skin with dark brown hair.  He was hairy.  He was student body president. Of course.

Whenever he was near, I talked louder and laughed more.  He appeared not to notice, but, knowing the way high school society works, I bet people told him I “liked” him.  He liked the slim girl with the thick, long blonde hair.  She was also in the A.P. classes.  She had a wide smile, a sprinkling of freckles and was quiet but smart.  She became a flag girl.  I was friendly to her because it brought me closer to him.

And then in my senior year, my mother’s cancer and the treatments forced her to stay home.  The high school grapevine probably passed that news around as well.  My seventh-period teacher often let me go home early.  On the way home, I’d sometimes walk by his house.  I don’t think I was much help at home that year.  I did do the grocery shopping.  I did cook–sometimes.  Mostly I nursed my crush, played the guitar, and listened to Donovan records in my room.

But sometime before graduation, he called and asked me out.  After accepting quietly with great self-control, I hung up the phone and shrieked, “Daddy! He asked me out!”

The date was for a show at the L.A. Music Center.  I can’t remember what performance it was, a play or a concert.  I fussed about what to wear, but I don’t remember what I wore either.  I know that my father waited up for me, and when The Crush walked me to my door and we paused at the top of the stairs, my father turned on the porch light and opened the door.  So much for my longed-for good night kiss.

When I look back on that evening, I believe it was a pity date.  I imagine his mother saying, “Your father is too busy, and we have these tickets.  Why don’t you take Kim? She’s having a hard time right now. I’m sure she’d like to get out of the house for a while.”  It speaks to his kindness that he asked.

The summer before college, I went to summer school at U.C. Santa Cruz.  I took to wearing Mexican blouses with no bra, and ragged bell-bottom jeans.  Let my hair go curly-frizzy.  When I came home in August, he called me.  Or maybe I called him?  I went to his house, and we made out on the basement sofa.  He was a lousy kisser (by now I had some basis for comparison).  All spit and sloppy lips.  And when I wouldn’t go further, he complained about blue balls and how uncomfortable he was. 

In the fall, I went to U.C. Irvine.  My mother died in November.

He went to Harvard.  Got a law degree like his dad.  I knew he stayed on the East Coast, but just last week, I googled him.

He never practiced law.  He wrote a book or more, and he writes a blog of political commentary.  He went bald.  And he voted for Trump in 2016.  I’m still affronted.  How could I have had a crush on someone who would vote for Trump?

Dog Dreams

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are better

than daydreams

Even though

dog dreams

are limited in scope:

a ballsy rabbit

someone else’s pee

or poop,

a panoply of scents

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Daydreams tend toward

unfulfillment, a lack of

or deep need

Sometimes awash in

memories, sometimes

rehearsing the future

reimagining the past

They float the dreamer

away from now

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Dog dreams

anchor to the present

a sprightly chase

after quarry that is

possible to catch

Nought

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Once I was a nun

And more than once

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Once I lived

in a wattle hut

and heard Her voice—

not the harsh voice of

the one who pushed

with impatient hands—but

a bird-sweet voice of comfort.

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Sent to the convent

as soon as allowed

subtract one hungry mouth from home

the youngest postulant

I lived out my days between stone

scrubbing, peeling, sweeping,

never colder or hungrier than in the hut

keeping the ember of Her love.

Prayer, silence, obedience

until a grave pestilence

took me to earth.

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And once again I was a nun

choosing the cloister over

an abhorrent marriage

with no regrets, no longings

for tapestries, brocades, or roast swan

Oh, the freedom to revel

in great books, spirited discussions

and the solitude of

my own bed.  The silence,

the discipline,

the peace.

*

And once again I was a nun,

living the vow of poverty

among the tenements

with the old and the sick

hanging rags on clotheslines,

scrubbing vermin from scalps

until the fever found me

I was but flotsam when it left

palsied, blurred eyes,

but able to sing the offices.

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And this time round

I am not a religious,

having detoured into a maze

of mandates first 

a childhood void of catechism

older, but no wiser

a lost seeker somehow turned

to a life of service

no wimple or habit needed

to surrender

December 4th

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On a coffee wind my mother sighed

wreathed in the smoke of small fires

Tart orange was her voice

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Peppermint and Chanel Number Five

A kiss of red lipstick rubbed off

Light comes in through bamboo shades

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Danish modern table, ladderback chairs

the Sunday crossword falls to ash

Coffee wind swirls around her head

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Beneath a blooming lemon tree

eucalyptus leaves shaped like dolphins

spin along the ground

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The cremated genie hides in her bottle

Her eyes were never more hazel

than reflected in coffee at dawn

When I Write

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his eyes crawl up my back

probing, asking, pulling

I am pinioned by want

tacked–a common insect

stuck through the thorax

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all that is, I am

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driven further inside

by this ever-present audience

avoiding the vacant stare

keeping my eyes on the screen

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through me, for me, as me

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a kind heart beats

while a mind fades

eyes watch what moves

he asks for little

he needs so much

The Body Shop

(reposted from December, 2020)

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Photo by Kevin Bidwell on Pexels.com

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I found this in my blog archives. A little humor in dark times.

Last week my wrist wasn’t working right, so I took my arm to the Body Shop.

            “What seems to be the problem?” Dr. Scott asked.

            “It hurts when I start in the morning.  Sometimes it just locks up completely.  I’m having trouble lifting things and opening jars.”

            Dr. Scott manipulated my wrist. “Hmm, I’ll need to get in there and have a look,” he said.  “We’re kind of backed up here today.  One of the techs called in sick.  Can you leave the arm until tomorrow?”

            “Uh, not really.  I kind of need it for holiday cooking.  Can you give me a loaner?”

            “Sure can, but this is all I’ve got left,” Dr. Scott said.  He reached under the counter and brought out a man-sized arm.  It was covered in curly black hair.  The underside was tattooed with a skull and lightning bolts.

            I eyed it with distaste.  “That’s all, huh?”

            Dr. Scott shrugged.  “Yeah, sorry.”

            He helped me snap the arm into my shoulder socket.  My sweater barely stretched over the bicep. A few inches of hairy wrist stuck out below the cuff.  I had planned to stop at the deli on the way home, but decided to avoid the embarrassment.

            At the house, my husband was reading in his recliner. 

            “Well, did he fix your wrist?” he asked without looking up.

            “Not today.  He gave me a loaner.  Look.”

            “Whoa, that is some heavy duty arm you’ve got there,” he exclaimed.  “Cool tattoos.”

            “Not cool,” I said.  “I’m off-balance.”

            “Hey, let me see you flex that thing.”

I obliged with a scowl.

He grinned.  “Wow!  That’s some bicep! I bet you could help me replace the bathroom faucet,” he said, pushing out of his chair.  “Let’s try it.”

            Sure enough, the loaner arm had more than enough strength to loosen the rusty bolt.  We fixed the faucet.  Then I hefted three forty-pound bags of water conditioner salt from the car into the basement.  I poured one bagful into the tank. After that, I carried the thirty-pound frozen turkey from the basement freezer into the kitchen. 

            “I don’t know, honey,” my husband said, “that arm is pretty useful.  Maybe you should keep the loaner.”

            “Right,” I said.  “And I bet this arm can strangle a spouse pretty well, too.”

Faerie Folk: Selkies

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The Selkie Legend

I am a man upon the land.

I am a silkie on the sea.

                                                –The Great Silkie (Childe Ballad #113

                                                                        Sung by Joan Baez on YouTube

            The Selkie myth arose hundreds of years ago in the northern isles of Europe.  Stories about selkies (also spelled silkies, sylkies, selchies), or Seal Folk, originated in the folktales of the Orkney and Shetland Islands, Ireland and the Faroe Islands.

            Selkies can be male or female.  They are shapeshifters who can change from seal to human form by shedding their sealskin.  This ability of human beings to transform into other animals is called therianthropy.  The most famous therianthrope, or shapeshifter, is the werewolf.  Unlike the werewolf, selkies are said to be gentle souls, and attractive in appearance.

            In the selkie legends, the male selkies transform into handsome men who come ashore to seek out and romance lonely women.  Like Simead Nair in Ripples of Magic, the selkie is often bound by rules restricting how often he may turn human.  Male selkies belong to the vast variety of faerie folk, and have the magical ability to charm women using their faerie glamour.

            The most well known tale about the female selkie is the version I used in Awakening Magic. In the traditional story, the female selkie comes ashore and transforms into a human to bask in the sun or dance on the beach.  A fisherman or seaman steals her sealskin.  By possessing her sealskin, he traps the selkie in her human form and forces her to bow to his will.  She remains a prisoner until she can retrieve the hidden sealskin and escape back to the sea.

            The children of a selkie and a human union may have webbed fingers, like Demara in Ripples of Magic. It is said that selkie children are drawn to the sea, and that they will never drown.  True fact: The people in the MacCodrum clan of the Outer Hebrides Islands have webbing, called syndactyly, between their fingers.  They claim to be descendants of a selkie/human match.

Resources:

https://www.ancient-origins.net/myths-legends/legends-selkies-hidden-germs-sea-mythology-006409

http://www.orkneyjar.com/folklore/selkiefolk/

http://www.realmermaids.net/mermaid-legends/selkie/

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Demara is the protagonist in Ripples of Magic, Book IV of the Karakesh Chronicles. She is the child of a union between a selkie man and a human woman. She feels like an outcast, not fitting in to either world, yet she longs to be a selkie like her father, and live with him in the sea.

excerpt from Chapter 2, Ripples of Magic:

            By age twelve I was all too aware of the oddity of our family arrangement.  On market days in the village, the children I met sometimes spoke about their fathers. I kept silent.  Many fathers were miners who worked the day or night shift. There were farmers and craftsmen, bakers and tradesmen.  Some fathers were drunkards, and a few were absent entirely.  But none, none at all, were selkies who came out of the sea for three-day visits at the full moon.

            Freyla was my best source of comfort and information.

            “What am I supposed to do with these?” I asked her more than once, showing her my hands and feet.  I spread out my fingers and toes to reveal the thin webbing of skin between them.  “The village kids call me ‘Ducky.’” I wiped away a couple of loose tears.            

“Those are your faerie badges of honor,” Freyla said. 

All five books of the Karkesh Chronicles are available on Amazon and from Handersen Publishing