Music in the hour of waiting

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A youngish man, the music therapist

passes out maracas

to folks in wheelchairs, side by side,

many doze, a few eyes are open

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He glides through the oldies,

Patsy Cline Crazy, Everly Brothers Dream,

These boots are made for walkin’

under the boardwalk

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David, who rarely sits,

shuffles across the room,

smelling of shit—again—

Someone alerts the staff

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Leaving on a jet plane

no one here will fly anywhere

Talking ‘bout my girl

No one here talks much

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The music therapist always ends

with Amazing Grace, this being

a Catholic facility, those

who are here were once found,

but now are lost

high school reunion video, class of 69

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skirts four inches above the knee

long straight hair

ribbed sweaters, knee socks

panty hose, penny loafers

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khaki chinos, no jeans

Madras button-down shirts

pudding bowl Beatle haircuts

letter jackets football tennis

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lunch on the lawn

horseplay and hugging

Vietnam, the Rolling Stones

Homecoming queen

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Crushes and invisibility

(Never in a couple)

Clothes angst, hours doing hair,

Armloads of books

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The golden ones

Know they belong

We others watch

From the shadows

African Dance

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“My mother she one hundred three year old

She drive all over.  She so healthy.  Why?

She dance.  All the time, she dance.

You dance, you live long, long.”

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His luminous dark skin glows with sweat,

He grins, slaps a high five, “good job, good job”

Calls out a rhythm, “gaa-ga-ga-ga, left”

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The drum is so loud it sets off a warning on my watch.

Wide arm swings, fast foot stamps

Sweat rivulets down my temples

Heart pounds—can I keep up?

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I fling my arms, copy his gestures, his steps

Exhausted, exhilarated, big movements,

Breathe hard, hands high, rolling shoulders.

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Nothing outside the dance,

My arms, hands, catch my sight,

I’m startled that they aren’t brown,

The pale skin not mine.

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Perhaps a former lifetime revealed itself,

Or a future one.  The dance swallows me.

My diaphragm is the drum.  I express eternity.

Time/No Time

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Once in no-time

God gathered volunteers

from the star-souls

and sent them to planet earth

to take birth

as soft-shelled beings

God gave them free will

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Then the Divine Presence kicked back

to watch what would happen

God hoped, perhaps, that these

be-skinned creatures would quickly

recognize their divine natures

and build for themselves

communities of love and beauty

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Certainly God, being God and omniscient,

knew already what would happen.

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Did God weep as its human creations

made cities of ugliness, fought over metals

and plots of land, inflicting death and injury?

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Was this really what God wanted?

To wait and wait until a few people

perceived their Creator and their true source?

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God must have foreseen

that all would descend into chaos and ruin

and his precious experiment would fail.

Bean

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It looked like a black bean in the kitchen sink drain.

No one had eaten black beans—

not today, not yesterday

The bean unfurled one spiky leg, two legs,

then eight

A spider the size of a quarter

humped abdomen with a white dot in the center

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I recoil in horror

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What to do? Smash it? With what? A spoon?

No, too big for that approach—

Flush it back down the drain—yes!—with hot hot water

Run the water long to make sure

Put the rubber strainer in place

to keep the creature from reemerging

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This archetypal fear of arachnids

must be built into our genes

The sudden, heart-gasping fear

the shriek, the leap backward

then the defense: shoe attack, broom, or tennis racket

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Some braver souls capture and release

Not in this house

Errant spiders are forbidden to dwell here

dispatched by any means

never to squiggle across an arm

in the night

Old Couples

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eat at the same speed

trade green peppers for olives

rearrange the furniture together

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Old couples

may not hold hands

may help one another up steps

take turns walking the dog

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Old couples

don’t shower together

have learned forgiveness

share the extra cheese pizza

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Old couples

plant trumpet vines

plan for next year

know the limits

Cat Walk for Zephyr

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We go out into the morning,

you in your bright yellow harness

me in my sweats and fleece jacket

A shiver of chill, bird song

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You pause on the top step

nervous, vibrating, testing the air

I check the time, you descend

to chew on new grass

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Two backyards down, a portly woodchuck

destroys someone’s spring flowers

You glide to the shed, smell its edges

then sniff the trash cans

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The bully cat leaves his scent marks

everywhere, I’ve seen it happen

You smell him, our mutual enemy

the one we both hate and fear

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 Wary, we circumambulate the house,

You growl when I tug you toward the door

once inside, you eat a snack on the counter

Then we nap, dreaming of freedom

After watching the film “Quilters”

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In a Louisiana prison,

some inmates sew quilts.

Shelves overflow with stacks of fabric,

sorted into categories:

children’s, sixties, flowers.

And arranged by colors.

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Sharp tools like rotary cutters and scissors

are signed out and tracked.

If a man breaks a rule, he’s barred.

The finished “sandwich”

with pieced top, batting and back

goes to the long arm machine

to be stitched together.

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Completed quilts go to foster kids.

Letters of thanks from the parents and kids

are wept over and stapled to a huge board.

One man sits up designing quilts on graph paper

when he can’t sleep.

Another chooses only fabric with butterflies,

because his mother liked them.

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The supervisor was incarcerated at age twenty.

He’s now sixty-four. He teaches and offers praise

and encouragement.

One quilter says he gets so absorbed in his project

that he forgets where he is.

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It’s to weep over, these inmates finding meaning

in creative work that produces something beautiful,

something useful, for someone young and needy,

like they were, once, years ago.

Have You Forgotten Me?

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That little girl with fish-blue eyes

thumb in mouth, white-blond hair

sits on the parquet floor

beside her mother’s chair.

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She touches her mother’s foot

with one nail-bitten finger

Her mother flaps a no-no hand

says, “Not now.  I’m on the phone.”

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That little girl in a red plaid dress

sees her mother walk away

from the closed kindergarten door

The girl sobs and slumps to the floor

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That little girl has nothing to say

when her mother asks about her day

The butterball teacher’s lap was where

that little girl sat until her tears ran out

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That little girl wrapped up each word

inside her beating heart, hidden from

the mother who pressed too hard

Or not at all, but either way, not heard