To Love What is Left

–Mary McCue

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The stranger who sleeps next to me

looks like an older version

of the man I married 20 years ago

but that person no longer resides in his body. 

Dementia steals him away every morning

when I shake his leg to rouse him

remove his watch and necklace of rudraksha beads.

He lies there like a sack of sand

not raising arm or head to help me.

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He’s a toddler going backward

not intending to provoke or obstruct

forgetting that the pants

go on before the shoes

while I seek a way to forgive

my spouts of anger, bouts of tears

His disease tethers me to home

like a dog on a line

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Bitter words, vinegar sour

dare not look back at years lost

dream of a better time

Then waken next to a stranger

with his face.

Drought

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the love river flows, then

sinks below ground

sludge, slime and mud remain,

mud, rocks, rotten leaves

crayfish or salamander corpse

in a trickle of silty murk

sharp shingle cracked

by ice and sun

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step with steadfast care

do not abandon this place

hold heart-close the river’s fullness

beneath your feet

pray for the rain of grace

Slipping

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Restless in the afternoon

He puts on his coat,

Picks up the flashlight

Where are you going?

It’s daytime

You don’t need a flashlight.

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She gives in, gives up

sewing the quilt pieces

Takes him for a walk

in the bright April wind

he shuffles too slowly for exercise

asks to go back too soon

It’s been barely ten minutes!

Already heading home

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Where do you live? He asks

In Wallkill.  You live with me.

Do you know who I am?

What’s my name?

I don’t know.  I’m sorry.

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Now he is further gone

And she is erased

Dark

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In the hostess’s bedroom

they are too close

in the shadows

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She doesn’t want to

see them too close

then she’ll have to know

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She was looking for the bathroom

They are murmuring

leaning too close

They hold hands

They see her

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She slinks away 

as if she is the guilty one

The Much of It

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Barrels the senses

Bewilders the eyes

Figures of clay, fabric, metal

Blue ceramic dog

Mechanical pecking chicken

Gray mouse in a red jacket

Ugandan woman under an umbrella

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Containers, bags, boxes of

Doll body parts

Cloth from Thailand

Buttons in tins

Beads from ancient Morocco,

Nigeria, India, Mexico

Tinkle and rattle like mini maracas

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Stacks of mysterious papers

Not to be moved

A secret filing system

Shelves packed with books,

Her travel journals

And the walls—a museum

Of prints and paintings

The strawberry picking migrants

In their straw hats

Tree of life tapestry

Embroidered gold birds

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She bought what charmed her,

traded her art for collections of

Intricate buttons, filigree silver

Venetian glass, mother of pearl

She tried to feed

the dark hunger

that vacuum of terror

near her heart

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One more clay rabbit

One more cloisonné pendant

How do you fill a space

the exact shape of God?

She Space

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With her, I don’t have to talk.

She doesn’t mind if I

curl up on her couch

with my notebook and pen

She doesn’t ask what I’ve written

She reads a book about a poet

I’ve never heard of.

She makes her Earl Grey tea in

a green polka dot cup

and rooibos tea for me

in a cup that says

I quilt so I don’t kill someone

Her cat dives into my backpack

We laugh at the same time

I email her the website

of our former lover’s

dance video.

Wow, amazing, she says.

For years

we’ve lifted each other up

through divorces

hot flashes, secret longings

We’ve shared clothes and craziness,

She’s honored my true self,

as I have hers.

Kavvanot: Meditations

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Tradition should have a vote, not a veto,

say the Reconstructionist Jews.

My vote goes for the third eye

Let the enigmas be unveiled

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In the 1830s, tradition did have a veto

that sent the mystical teachings

into hiding.

Exoteric, rational thought is all very well,

but teach me the mystery, hidden magic

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Kabbalah kept its secrets for decades,

even from Jews themselves.

Oh, my young loss,

the longing for light, peace, infinity

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The deep way, what is received,

handed down orally,

rebbe to student.

I would kneel at your feet, blessed teacher,

where are you?

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It found a haven from the Inquisition

in Safed, then Palestine.

Above dusty streets, the hills echoed

with holy words

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Kabbalah’s view is a cosmology,

of four worlds,

spirit, mind, heart, body.

Spirit flame burns, mind chatters,

Heart stretches, body dissolves

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Through prayer,

with inward intention,

one rises from world to world,

to reach the goal:

nearness to God.

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Nothing is outside of God.

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Had these teachings

been made known to me

fifty years ago

who knows

what sort of Jewish mystic

I might have become?

from The Jew in the Lotus, by Roger Kamenetz

Meditation

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I am the ocean

You are the fish

Your forms

of sequined gauze,

flash and fade in

pearl blue sea

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I am the silence

You are the jet,

the cricket, the siren

sounds observed

become as waves 

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I am the prana*

You are the exhale

lifelong and golden

morning stars flicker out

at daybreak

*prana=life force