The Manor House: Chapter 16

*

Photo by Pedro Figueras on Pexels.com

*

Chapter 16:  Mr. Braithewaite’s Story

            The dream begins the same way as the first in which Teresa is the little girl with the butterscotch pony, only the scene has expanded like a panoramic shot in a movie.  Now, in the curious way of dreams, Teresa is both the little girl in the dream and the observer.  The father is the same lean, blue-eyed man with the loving smile.  He presents her with the pony, only this time he says, “Here you are my darling little bird, my Maggie-pie.  A pony of your very own.” 

            “Oh, Da, she’s lovely,” the girl says, patting the horse’s nose.

            He lifts her up onto the pony’s back and leads her around the grassy yard.  She feels a surge of pure joy from her toes in the stirrups to the dark curls on her head.  Beyond the pasture, Teresa the observer can see a low farmhouse.  Out of the door comes an older man with a shock of gray hair.  He runs toward them across the grass.  As he gets closer, Teresa, who is also Maggie on the pony, can see the man’s face is anguished.  He runs toward them, waving his arms and shouting, “George!  George!” 

            When he is close enough to be heard, the older man calls, “Eliza’s in a bad way!  Her time’s come and she’s bleeding something fierce!  I sent Harry for the doctor!  You’d better hurry!”

            For the girl on the pony, the day’s happiness drains away as if a plug were pulled from the sunlit sky and dark clouds rushed in.  There is a surge of shadows and the scene folds and then reopens at a graveside under a rainy sky.  Three mourners in dark, worn clothing cluster in the mud around the grave where two simple coffins, large and small, become shiny and slick in the rain.  Teresa, as the little Maggie, holds the older man’s hand.  She feels him trembling with sobs.  Her chest is so heavy with loss that she can barely breathe.

             Teresa awakens with tears on her face.  She feels sadder than she has in years, not since the death of her little boy, so many years ago.  The digital clock by the bedside glows 2:48 in red numbers.  Teresa turns on the light.  She wipes her eyes with a tissue and blows her nose. 

            “Whew, this is some painful way to get information, Margaret.” 

            She lies in the bed with moonlight striping the covers, and lets herself remember Marco, her baby boy.  She rarely opens that box of memory, but here in the predawn in a house not her own, she spends time with him, his tiny, perfect fingers, his twisted little legs and feet. 

            “Oh, Marco,” Teresa sighs.  There is something so terrible about tiny white coffins covered in flowers.

            Morning finally comes in shafts of bright sunlight and ecstatic birdsong.  Teresa lies in bed, letting the light glow through her eyelids.  She wishes she were like those birds, able to greet each new day with such a fury of joy.  She fingers the necklace she has worn for almost forty years.  It is a flat, cream-colored spiral, set in beveled gold.  Angelina gave it to Teresa when Marco was born, explaining that the spiral was actually the door of a sea snail.  One could find these delicate spirals in the beach sand of the Costa del Sol, but it took a sharp eye and much searching.  In her travels, Teresa has found a few of these herself, but none as lovely as the one she wears. 

            In less than a quarter of an hour, Teresa is dressed and stepping through the wrought-iron garden gate.  Mr. Braithewaite is there as she’d hoped.  Today he is deadheading a patch of primroses.  The battered brown felt hat is crushed down on his head.  He has his pipe clamped between his teeth; it seems to have gone out.

            “Good morning,” Teresa calls out.  “Do you have a moment to chat?”

            He waves her over without turning around.  “Can’t get up until these are done or I’ll never get down again.  The damp weather aggravates my joints.”

            “Yes, it can do that.  I can help, if you like.”  Teresa squats down beside him, mentally congratulating herself on the decades of yoga that allow her to be limber still.  She begins to nip off the brown, spent flowers, tossing them into the frayed basket.

            “What can you tell me about the Braithewaites who lived here in 1790?” she asks.

            “Let’s see,” Mr. Braithewaite pauses and squints up at the sky as if the answer might be scrolled in the passing clouds.  “John Braithewaite worked the farm with his father, who tried raising dairy cows.  But the land couldn’t support a large dairy operation, so, after John’s father died, he supplemented the farm with wrecking.  They smuggled out the brandy, you know, and tea, keeping whatever else they could use, and selling the rest.”  There is a long pause while Mr. Braithewaite relights his pipe.  “At some point, John joined up with the wreckers who put out false lights.”  Another pause while he puffs and shifts to the left.   Teresa feels disappointed.  This is the same story she heard from Miss Micklewhite.  She was hoping for more details from a member of the family. 

            Mr. Braithewaite continues, “His son, George, was Margaret’s father.  I suppose you’ve heard about Margaret from Miss Micklewhite.  George had been a partner in the farming and the wrecking, but he balked at joining the false lighters.  Said it was one thing to pick up cargo from foundered ships, another to be the cause of the wreck.  He packed up his family: his wife Mary, Margaret, and their infant son, and moved to Somerset.”

            “But I heard that Margaret’s mother died in childbirth,” Teresa says, surprised.  “And I thought her mother’s name was Eliza.”

            Mr. Braithewaite turns abruptly to squint at Teresa, almost scowling.  “Who told you that?”

            “Uh, I–I don’t remember,” Teresa stammers.  “Someone who was a guest here, perhaps.”  Why would two such conflicting versions exist? she wonders. 

            Mr. Braithewaite says, “I don’t know anything about that.  The family moved away, that’s the story handed down to my forebears.  And now, Ms. Salerno, you’ll excuse me.  I’m due to meet with my solicitor at ten.” He creaks slowly to standing.

            Teresa stands up as well, brushing soil from her jeans.  “About how old would Margaret have been when her family left Devonshire?” 

            “Hmmm…around ten years old, I should think.  Ta.”  He moves off down the path, leaving Teresa with more questions than before the conversation began.

Balance

*

Photo by Skyler Ewing on Pexels.com

*

Red tail hawks live solo

Except during breeding season

In winter they perch on wires

Fluffed, hunched shoulders

Searching the snow crust

To capture a careless vole or mouse

*

I live solo now

My breeding season long done

In winter I huddle in woolens

Cocooned with hunched shoulders

Searching for the words, pen in hand,

To seize a skittering thought

The Manor House: Chapter 15

*

Photo by Pedro Figueras on Pexels.com

*

Chapter 15:  Angelina

            Teresa pushes back from the desk and peers out the window.  It is still raining; drops trickle down the panes in silver streaks.  Running her fingers through her salt and pepper bob, Teresa remembers that day, the day Angelina came into their lives.  Of course, Teresa was furious at first.  Mother was dead less than a year.  It soon became obvious that Angelina was no new acquaintance of Father’s.  The newlyweds were far too comfortable with each other, and their conversation overflowed with references to mutual friends and experiences that seemed to span years in Italy.  Teresa wanted to hate Angelina, wanted to pounce on innumerable faults and reprehensible qualities, but she could find none.  Angelina was just like her name, a little angel.  What she saw in Father was a mystery. 

            Angelina enchanted the twins within a week of her arrival.  Both Debo and Dolly were at home until school started.  Angelina asked them to show her New York.  Each evening the trio came bursting into the apartment in high spirits, shouting phrases in Italian. 

            A rueful smile is on Teresa’s lips as she recalls her own hostile behavior.  She maintained loyalty to Mother for a month or two, but Angelina won her over in the end.  She was, Teresa thinks, the most patient, generous, and loving person any of us children had ever known.  She was lighthearted, funny, and fun.  Angelina even smoothed out some of Father’s hard edges.

            Rubbing her eyes with her fingertips, Teresa realizes that she’s been at the computer for hours.  The battery needs charging.  She opens the desk drawer to get out the charger.  It isn’t there, so Teresa goes downstairs to see if she left it in her carrying case.  While she is in the living room, she opens the front door.  Clouds are high, backlit by the full moon.  There are puddles on the paths, but the rain has almost stopped.  Everything smells fresh and earthy and fragrant.  She breathes in deeply several times, decides to leave the door open for some clean air. 

            Upstairs again, Teresa sees that the mug that held her tea is lying on its side.  The cold tea has trickled into the open desk drawer soaking some of her tourist pamphlets.  She picks up the dripping papers and drops them into the trashcan.  Underneath the papers, the thin wood of the bottom of the drawer is wet and beginning to warp.  Teresa gets a bunch of paper towels from the kitchen.  She blots up as much of the wetness as she can and leaves the drawer open to dry. 

            “If you knocked over the tea, Margaret, I can tell you I don’t appreciate it.  You could have damaged my computer, not to mention this antique desk,” Teresa says into the room’s shadows.  “I told you I’d do the writing, but you have to do your part and get me some information, too.”  She goes back to the kitchen with the mug and a handful of wet paper towels.  “I’m glad there’s no one here to witness me talking to a dead woman,” Teresa mutters.

            She tosses out the towels and rinses the mug in the sink.  “Well, it’s not the first time I’ve conversed with a ghost,” Teresa says.

            She remembers when Father’s spirit appeared to her after he died.  It was always preceded by the scent of cigar smoke.  To this day, cigar smoke makes Teresa snap into a state of alertness and anxiety, even though Father’s ghost hasn’t been around for decades.

            Teresa stands for a few minutes in the open doorway, taking in the moonlit path and the scents of the wet earth and foliage.  She thinks she can hear the sea.  She closes the door and then checks the electric meter and appliances.  It has become her habit since the first night’s misadventures.  In the bedroom, Teresa opens the window halfway before sliding into bed.  In the early morning, she has another dream.

The Manor House: Chapter 14

*

Photo by Pedro Figueras on Pexels.com

*

Chapter 14: Mother’s Legacy

            Cousin Alberto must have told Mother that I had seen them at the subway entrance.  Her presence in the family rooms suddenly became scarce.  If Father was home for dinner, she ate with us, and afterward, she sat with him in the living room while he smoked a cigar.  Otherwise, she was in her workroom, at the salon, or out playing bridge.  The workroom was ill-named since Mother no longer worked for Salerno Imports.  Mostly she sat on the chaise longue, smoked one cigarette after another, and read magazines.  Or she talked on the telephone.  I could hear her voice droning on in her flat New Jersey squawk even from my bedroom down the hall.

            In front of the twins, who were just turning thirteen, our parents behaved as they always had.  The business was the main topic of their conversations.  Politics and world events came up too from time to time.  The atmosphere in the apartment was thick and heavy, a viscous sad syrup that clung to us all.  How desperately I wanted to move out!  Any number of college girlfriends had asked me to share a flat with them.  Even though I was twenty-one, I stayed at home for the twins’ sake.  They were in their own teenage world, relying mostly on each other for support and solace.  Since Father was locked in his depression, and Mother was avoiding all of us, I felt I was the only one left to mind the house and make sure the girls had some supervision. 

            I divided my time among classes, study, and the twins.  On weekends I took them out to a show or a film, or shopping.  They liked to do girl things, like get a manicure and pedicure.  They also liked roller-skating, probably because there were boys doing it, so we’d go to the park, have lunch at the cafe.  I loved Dolly and Debo because they were my sisters, but I didn’t like them very much in those years.  They appeared to have inherited our mother’s rather vacuous approach to life.  A new pair of jeans and lunch at a fancy restaurant seemed to satisfy them.  Our conversations bordered on inane, no matter how hard I tried to guide them into deeper introspection.  For a while I thought they were hiding their profound private thoughts.  Then I gave up and accepted that they were genuinely shallow.  Sad to say, their futures looked to me like a mirror of our mother’s life: a white-collar job, marriage for money, and adultery for excitement.  For a few months, Dolly thought she wanted to be a nun.  But when she and Debo turned fifteen and were allowed to date the most acceptable boys of those who had been sniffing around, Dolly easily gave up her aspirations for the religious life.

            When I was twenty-two, my mother fell ill.  By the time she saw a doctor, the lung cancer was well advanced.  The odd thing was that our routines hardly altered.  Mother went out less, but she continued to smoke and read magazines on the chaise longue in her workroom.  The twins went to school and went on dates.  Father hunkered down in the living room with his ever-present Cubana cigar.  Then the chaise longue morphed into a hospital bed.  Hospice workers tiptoed in and out, and then, one day, Mother was gone.

            Did I miss my mother?  Not really.  I did not mourn for the guilty adulteress who sneaked out of the apartment and avoided making eye-contact with me.   I was angry with her for her immorality, and for the way she abdicated responsibility for her children.  On reflection, and believe me, I did a lot of hard thinking in the days after her funeral, I recognized two things she did for which I knew I would be eternally grateful.  Until I was ten or eleven, she made sure I read all the books on our summer reading lists provided by the school librarian.  In this way, she fostered my learning and my love of literature.  She would call one of the big bookstores in the City and ask the clerks in the music department, “What is popular?  What are kids listening to?”  She did the same with books.  Then she would send me to the store and I’d come home with an armful of greatness.  That is how I knew the score of the musical Hair, and Bob Dylan’s Times They Are A-Changin’ long before any of my peers had heard of either one.

            The other gift I received from Mother was the skill of money management.  When I was nine, I got an allowance of six dollars a week.  She insisted that I use two dollars for spending money, two dollars for school supplies, and two dollars for savings.  As I got older, my allowance increased, but the proportions remained the same.  Mother monitored my spending mercilessly.  The result was that, by the time I graduated from college, I had a tidy sum in savings, and a deeply ingrained habit of good money management.  I’ve never had a problem supporting myself, even though my income has fluctuated, especially now, since I retired from the publishing business in order to write full time.

            A few weeks after Mother died, Father came out of his sad fog.  He began going to the offices of Salerno Enterprises every morning.  He donated a huge amount of money to build a new wing for cancer treatment at the hospital.  His picture began to appear in the paper again: King Olive attending charity events and opening nights.  “The recently bereaved C.E.O. of Salerno Enterprises, Anthony Salerno, aka King Olive, attended the opening of the exhibition at MOMA…”

            Debo surprised us all by demanding to be sent to NYMA, the New York Military Academy in the Hudson Valley.    Apparently, she had clear memories of visiting Junior there.  A little bewildered by her passion, Father agreed to let her go.  Debo had never expressed any interest in Junior or the military; her only concerns had always been clothes and boys and gossip.  Suddenly she was sixteen, looking serious and crisp in her uniform when we visited her on Parents’ Day.

            At first, Dolly was lost without her twin sister.  She drifted around the apartment after school, watched endless hours of television.  All through the school year she languished in sorrow and lethargy.  When June came, I cornered Father in the living room and demanded that he do something about Dolly.  For once, Father listened.  He got her a job at his office, as a secretarial assistant.  Dolly liked it, and she was so adept that by the end of the summer, her supervisor was seriously training her.

            During that summer, Father and Cousin Alberto went to Italy for three weeks.  In late August, when New York City was a sweltering mass of exhaust fumes and short-tempered people, Father came home with a new wife.

Oiling

*

Photo by Augusto Baldera on Pexels.com

*

somewhere

at the top of this world

a native of the snow

greases her skin

with whale oil

a layer between

the dry and the cold

*

here in the winter

I spread coconut oil

on face, feet and arms

a barrier between heated air

and hard water

*

I picture her

my mirror in action

her gnarled brown hands

my wrinkled pale fingers

all shiny with grease

*

wrinkles that etch a map

across years and continents

connecting two wandering lines

into One.

The Manor House: Chapter 13

*

Photo by Pedro Figueras on Pexels.com

*

Chapter 13: Killerton House

            Later that afternoon, as she drives away from Killerton House, Teresa accuses herself of being jaded.  In her travels she has toured many of these old elegant homes that were turned into museums because the owners couldn’t afford the upkeep.  Killerton House was much like the others she has seen, except for the vintage clothing display.  For this exhibit it was worth the tricky drive in the rain.  The mizzle did eventually turn into a steady downpour.  Visibility is limited, so Teresa creeps along the slick roads at fifty kilometers per hour.  She reviews the outfits she saw that came from Margaret’s time.

            A woman in Margaret’s society would not have worn the fancy silk evening clothes on display.  Working women wore simple linen and woolen dresses with a cap or bonnet, an apron, and a shawl for warmth.  The colors were muted, but may have been brighter when they were new.  Hair was worn in loose curls.  Men wore knee breeches, boots, and loose blouse-like shirts for work.  Seeing the clothing of Margaret’s time, and the utensils and furniture the people used, brought the period into focus.

            Killerton House itself is grand indeed.  The grounds are lush with flowering shrubs, climbing vines, and long vistas across emerald lawns.  There is even a bear hut, an odd little cottage with a thatched roof and a barred bay window.  Though the Manor House is not imposing, Teresa prefers its human-sized earthiness.

            Teresa realizes that she is already planning the project, Margaret’s story.  It is typical of her process.  When she is in the middle of writing a piece and can see the end clearly, Teresa begins to mull over the next one.  She considers the research she will have to do.  She must look up the historic events that frame the time period.  She’ll need to find out about the lives of farmers in Devonshire, and, of course, the doings of the smugglers and wreckers. 

Tomorrow, Teresa thinks, I’ll make an appointment to talk to Miss MIcklewhite.  And maybe I’ll rise early enough tomorrow morning to hear what Mr. Braithewaite knows.

 Teresa’s plans occupy her until she is back again at her desk in front of the laptop.  She is wearing a dry sweatsuit; her wet clothes are hanging on the shower curtain rod in the bathroom.  A fresh cup of Earl Grey and some biscuits wait on a small tray.  After answering the five emails, one from her editor, and the rest from her sister, Debo, Teresa opens her writing file.

Cartography

*

Photo by John-Mark Smith on Pexels.com

*

Cartography                     composed on MLK and Inauguration Day

we map our days

on bent backs in cotton fields

on our verdant vineyards’ caretakers

our deli’s clean dishes depend on mojados

our apples are touched by invisible Jamaican hands

*

we map our days on crops of wheezing lungs

we turn away from wrinkled brown hands

we map our towns with dividing lines

we slide our eyes away from men on the corner

*

we map our waking hours

with condemnations and complaints

at night we dream of shadows

we can’t escape the truth of maps

the lines etched deep in America’s skin

The Manor House: Chapter 12

*

Photo by Pedro Figueras on Pexels.com

*

Chapter 12: Ghost Writing

            Teresa shivers.  The bedroom is chilly and damp.  She supposes it’s the sea air.  She pauses to go downstairs to make some tea and get her sweatshirt from where she left it on the sofa.  When she returns to her desk, as is her habit, she rereads the last paragraph she wrote.  She sucks in her breath.  The words on the screen now read:

            I waited until YOU the sound of his footsteps receded WRITE  into the echoing MY tunnel. STORY

            Teresa sinks down until her head rests on the back of the chair.  She holds her hand over her pounding heart, takes a deep breath. 

            “OK, Margaret.  I assume you’re in here and you are listening.  You want me to write your story?  How do you propose I do that?” 

            A chill runs up Teresa’s arm, as if it passed into a dewy spider’s web.  Her eyes dart around the room.  She sees nothing unusual, no mysterious shadow, no floating mist.  Teresa puts her head in her hands, rubs her eyes, stares at the screen.  It hasn’t changed.  The words are still there in caps between her own.  YOU WRITE MY STORY.  She thinks about the August deadline for this article about her father.  She goes back over the events of the past two days, the locked doors, the tricks with the electricity, the heavy sorrow hanging in Margaret’s room in the Manor House.  It would be a sad story to write, but the plot is compelling: danger, romance, loss. 

            “I can’t believe I’m even considering this,” Teresa thinks.  She deletes Margaret’s writing from the last paragraph and saves the morning’s work on the hard drive.  Then, just as a precaution against a meddling spirit, she saves everything on a flashdrive.

            Teresa takes in a long breath, blows it out so that her gray-streaked bangs spray up and stay feathered across her crown.

            “Margaret, if you’re listening, here’s the deal.  I’ll think about writing a story, but you must find a way to get the facts to me.  I’m sure you don’t want me making it up.  And for the last time, stay off my computer!”

            Teresa shuts down the laptop.  She has a quick lunch of leftover spaghetti, grabs her Michelin guide and steps out into a mizzling rain.  It’s not quite drippy enough to require an umbrella, but not light enough to be categorized as fog off the ocean.  Outside, on the way to the car park, Teresa meets the Dutch family carrying their luggage.  Stefan gives her a curt nod.  He is scowling, holding a duffel bag in each hand.

            Teresa comes up beside Rhoda.  “You’re leaving?  I thought you were here for five days.”

            Rhoda’s expression is solemn; there is a glint of fear in her eyes.  Stefan turns.

            “We cannot stay here to be molested at night.”

            “Molested?”  Teresa’s eyes widen at the strong word.

            “Yes, in the night, we could not sit up in our bed.  The girls were crying, and we were pushed down into the pillow.”

            Rhoda continues, “Then, when finally I could get up, I went to the girls’ room.  They were uncovered and crying in their sleep.  I covered them and two hours later they were uncovered again and shivering.” 

            “And you think that it was the gh—“

            “SSSHH!”  Stefan gestures to Teresa with his finger over his lips.   “The children!”  He indicates Tom and the little girls with his chin.

            “Oh.  Well, I’m sorry to see you go,” Teresa says after an awkward silence.

            “I hope you have a more pleasant stay than we have had,” Stefan says.

            Teresa just nods, not knowing how to respond.  Instead of continuing to the car park, she turns onto the path to the Tea Shop to buy a scone and a cup of tea to go.  Ted is sweeping up under the picnic tables.

            “Good morning, Ms. Salerno.  Where are you off to on this misty morning?”  Ted is a tall fellow with a beer belly that bulges out over his jeans.  He affects a cowboy look.  The buckle on his leather belt is a brass buffalo head, and he wears a cowboy shirt with snaps, a neckerchief, and boots with worn-down heels.

            “I thought I’d go to Killerton House.  But I just saw the Dutch family leaving.”

            “Aye. The gentleman demanded his money back.  Miss Micklewhite was quite put out.  She thinks Margaret took offense at the guy’s remarks.”

            “About there being no scientific evidence for the existence of ghosts?”  Teresa cannot help smiling.

            “Exactly.”  Ted smiles too.  “Herself is particular about the folks who stay here.  Mostly she just plays with the utilities, but she can do worse.”

            “Has she ever caused serious harm?”

            “Unh.”  Ted reaches under a table with his broom.  He turns away from Teresa and leaves her staring at his back.

            “Hmm,” Teresa narrows her eyes.  Was that a yes or no?  Obviously, the topic is closed as far as Ted is concerned, but later she’ll see if Trish is more forthcoming.

            With her tea and scone in hand, Teresa sets out again for the car park.  The Dutch family is gone.  The dry rectangle where their car had been is turning dark with the damp.

            As Teresa drives, she keeps confusing the turn signal with the lever for the windshield wipers.  It’s hard enough, Teresa thinks, to be driving a stick shift on the wrong side of the road.  Add in rain and windshield wipers and she feels like she needs two more hands. 

The Manor House: Chapter 11

*

Photo by Pedro Figueras on Pexels.com

*

Chapter 11: Mother

            After Junior died, my father was never the same.  He had Junior’s Purple Heart medal framed.  It hung above the living room mantle with a photograph of Junior in uniform.  I was still living at home, attending college.  I remember feeling such relief each morning when I shut the door on that sad house.  I’d stay in the library studying, hoping that my parents would be asleep or out when I got home.  Sometimes, I’d smell my father’s cigar when I was taking off my coat in the foyer.  He would be sitting in the living room, slumped in his recliner.  A half-smoked Cubana between his fingers, he’d swirl port in a glass and stare at Junior’s picture.  He appeared bulky and toad-like hunched in his chair, a bit reminiscent of Winston Churchill.  I tiptoed past the doorway, loathe to disturb him, even though I knew in truth he wouldn’t notice me if I stomped through like an elephant.

            About six months after Junior died in Vietnam, I discovered that my mother was having an affair with Cousin Alberto.  It happened like this.  I had stayed late at the library.  My friend, Larissa, and I took the subway downtown.  I got off at my stop and waved to Larissa through the closing train door.  I started up the long flight of stairs to the street.  In my mind I was still going over the points of the essay I was writing about The Brothers Karamazov.  I saw the couple at the top of the stairs, embracing shadows backlit by the neon lights of Mario’s Pizzeria.  Something about their posture tugged me out of my Russian musings.  Then I recognized my mother’s red burnt-out velvet scarf with the long fringe.  My heart halted, jumped, and pulsed in my throat.  I stood in the darkness of the stairway waiting, watching.  They kissed, drew apart, kissed again.  I saw the man’s face: Cousin Alberto.  My thoughts came in disjointed fragments.  Cousin Alberto!  He had to be at least a decade younger than my mother.   And what a creep, after all my father did for him, bringing him over from Italy, giving him a job at the company.  He even rented an apartment to Alberto, cheap. 

            Finally, the two went their separate ways.  Mother clicked off down the street in her four-inch heels.   Cousin Alberto turned and came slap-slap-slap down the subway steps.  I froze against the tiled wall.  It was cold on my back.  Our eyes met.  He recognized me, then cut his eyes away.  I waited until the sound of his footsteps receded into the echoing tunnel.  Then I followed my mother home.

The Manor House: Chapter 10

*

Photo by Pedro Figueras on Pexels.com

*

Chapter 10: Night

            Teresa looks at the clock on her laptop.  It is late, 11:40.  She has been writing for over two hours.  She rubs the back of her neck, rolls her shoulders.  With the computer shut down, Teresa gets ready for bed.  She makes sure the flashlight is on the nightstand before turning off the bedside lamp. 

            Sometime before dawn she is awakened by a dream.  Unlike most of her dreams, this one is clear and realistic, not murky with nonsensical events.  At first in the dream, she is at the park with her father, a stocky, swarthy man with thick black eyebrows.  Then the man changes into a taller, leaner person with brown hair and piercing blue eyes.  He is holding the reins of a small tan horse.  The Teresa of the dream knows him as her father.  His love for her lights up his eyes like small flames.  He lifts her up onto the butterscotch pony and begins to lead her around the circle of green grass. 

            “Oh, Da,” she says to the man.  ‘Is she mine to keep?”

            “Yes, my little love, she’s yours to keep.”

            Teresa awakens with her cheeks wet with tears.  She feels for the light switch.  Her chest is aching with yearning for this man, this dream father she adores whose eyes are alight with love.  Oh, how she longed to see that look in Father’s eyes.  Teresa wipes her face on the edge of the sheet. 

            I tried so hard, she thinks, but Junior got it all.  She recalls Junior as he was when he joined the Army.  He was a head taller than Father, with smoldering black eyes and a shock of wavy brown hair.  When not in uniform, he always stood with an attitude, hips cocked, thumbs in his belt loops.  He’d been a handsome man.  His death drew a dark curtain over all their lives.

            Teresa lies awake until she hears the birds begin their dawn symphony.  Two cups of tea help to chase away the night fog, yet the heaviness of loss is hard to dispel.  She decides to walk about the grounds before her morning work session.  The wrought-iron garden gate is open, and the gardener is kneeling on one of those kneepads avid gardeners like to use.  He is wearing the same crushed felt hat, but the pipe is absent.

            “Good morning,” she says, even though the morning still feels soggy and disjointed. 

            “Ah, good morning to you.  A fellow early bird, I see.”

            “Yes.  I’m Teresa.  Staying in the Garden View Suite.”

            “Yes, yes.  The writer from America.”   He removes his earth-smudged right glove and holds out his hand.  “Names Braithewaite.  Morris Braithewaite.”  His fingers are calloused and dry; it’s like holding stale toast.  In the bright morning light, Teresa makes him out to be at least seventy-five, maybe much older.  He has that leathery look of folks who have spent years in harsh weather.    Teresa is startled by the name he offers. 

            “Braithewaite?  As in the smuggler family that Margaret belonged to?”

            “The very same.  My grandfather bought back the property during the Great Depression.  Land was going for a song then.”  His eyes twinkled.  “But we’ve given up the wrecking, at least for the time being.”

            Teresa smiles with him.  “Did you grow up here at the Manor House?”

            “Oh, no.  Just spent holidays here.  It was a bit too rustic for my taste.  That was before the museum, before the cottages were added on.”  Mr. Braithewaite pulls his pipe and a lighter out of his breast pocket. Teresa watches as he sucks the flame into the tobacco until it is well-lit.    Mr. Braithewaite raises the pipe.  “My only vice,” he says.

            “And Margaret, the ghost.  Have you encountered her?”

            “Never.  But I keep my dress sword underneath the bed.  Deters intruding spirits.”

            “I’d like to hear more about the Manor.  Sometime.  If you’re willing,” Teresa says.

            “Certainly. You can find me here most mornings.  It’s good for me to take a bit of a rest and have a chat.  These old knees are not what they used to be. “

            “Thanks.  Well, I should go back to my work.  It’s nice meeting you, Mr. Braithewaite.”

            “Likewise.  Ta.”  He salutes her with the stem of his pipe, then lowers himself back onto his gardener’s knee pad.