The Manor House: A Tale of Two Ghosts C. 5

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Chapter 5: Puccini

            Until the scandal hit the news, I never thought anyone would be interested in my life.  Growing up with King Olive as a father did not seem so out of the ordinary to me, since I was in the middle of it.  After everything collapsed, the press sought me out.  Publishers wooed me.  Friends and slight acquaintances kept asking me questions: What was it like to be in the Salerno family?  Was King Olive a good father?  What really happened?  When my cousin Alberto died last year, I was released from my enforced silence.  And so I begin the story:

            The earliest memory I have of my father is auditory.  We had an African gray parrot named Puccini.  He was a wicked bird who would bite everyone but Father.  I was terrified of Puccini, but my father adored the nasty thing. He tried to teach the bird the aria from La Boheme that begins–“O soave fanciulla, o dolce viso…” That is the first music I can recall.  My father held me on his lap in the rocking chair and sang the same verse over and over.  His deep voice reverberated in my body.  The sound seemed to go directly from his heart space to mine.  He called me his little bird, “mia piccola uccellina.”  I felt completely safe during those times, probably the only time I ever felt safe with my father. 

            I was perhaps four years old when I overheard someone call my father “King Olive.”  I went to my mother and asked her, “Why did that man call Father ‘King Olive?’”

            My mother was a petite woman with black, curly hair.  The only make-up she wore was fire engine red lipstick that left stains on whatever it touched: a wine glass, a cigarette, or my cheek.  At my question, she blew smoke out of her nose in a gray cloud.  “They call your father King Olive because he is the biggest importer of olive oil in the whole country.”

            “What’s importer?”

            My mother took another drag on her cigarette and blew the smoke out the side of her mouth.  “You know Uncle Gio?”

            “Yes.”  I nodded.  Uncle Gio was my father’s brother who lived far away in Italy. 

            “Well, Uncle Gio buys olive oil from the farmers in Italy, and he sends it to your father in big containers.  Then your father’s trucks pick up the olive oil and it gets put into bottles and he sells it to the stores.  That’s being an importer.”

            “Oh.”  The word “importer” was very close to the word “important.”  This made sense to me.  I knew that Salerno Olive Oil was the best.  Father had shown me the bottles of golden-green liquid on the shelves in the supermarket.  I liked the label with the picture of the lady holding a basket of olives.

            Before my mother’s attention could turn away from me, I said, “But Father sells salami and those little cookies, too.”

            “Yes, Teresa, he also imports salami and amaretti.  Now off you go,” she said as the telephone rang.

            My most constant memory of my mother is how she looked when I stood in the doorway of the downstairs office.  She would be sitting at her desk, a cigarette drooping from her mouth.  The telephone would be against her ear and a pencil in her hand.  In those early days, she was the main secretary for Salerno Imports.  As she talked on the phone, the cigarette bounced up and down.  The ash grew longer and longer until it fell off, landing either on the desk or on her lap.  She’d brush it away with a flick of her hand.

            When I turned six years old, my brother was born.  His name was Antonio, like my father, but everyone called him “Junior.”  “He will be my right eye,” Father told the visitors who came bearing blue baby clothes and toy trucks.  Father was transported with joy at the birth of a son, and my world imploded.

            I would hear my father singing to Puccini, while he rocked Junior.  I’d tiptoe into the kitchen and try to climb onto Father’s lap.  He would push me away.  “No, my little bird, you are too big for this.  Go help your mother.”

            He always said that, “Go help your mother,” even if my mother was on the telephone or out shopping.  So I would go sit with Loretta, our housekeeper, and watch her while she cooked or ironed.  I was old enough to know that I couldn’t turn into a boy, so I determined to be the best girl possible to win back my father’s attention.

The Manor House: A Tale of Two Ghosts C. 4

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Chapter 4: Margaret’s Room

Teresa and the others step through to the adjoining room cautiously, as if they might see a dead body on the bed.  The room is much like the master bedroom, though smaller.  It has a narrow four-poster bed with blue brocade curtains, a vanity and a wooden cradle.  Despite the summer sun shining through the window, the air in the room is cold and heavy.  The old woman from Manchester slides her arm through her husband’s.  Tom scrunches up close to his father.  For the first and only time since she left Baltimore, Teresa wishes that she weren’t traveling alone.

            Miss Micklewhite smiles and her eyes glitter with relish at the effect her tale is having on her audience.  “Here you see the room just as it was when it was discovered almost seventy-five years later.”  She smiles again, and adds, “Without the skeleton, of course.”

            The gentleman from Manchester makes a huffing noise through his nose.  Teresa stares at the bed as Miss Micklewhite continues.

            “The year was 1865.  The tenant at that time was making some repairs to the roof.  He noticed that there were four windows outside but only three on the inside.  He got his carpenters to break down the wall.  The room they found was untouched, with Margaret’s desiccated remains on the bed.  In the top drawer of this little bureau was a written confession signed by George Braithewaite.  The tenant gave Margaret’s bones a Christian burial at the parish church.”

            Miss Micklewhite turns to Tom.  “Young man, the infants of that time would have slept in a cradle like this one, usually in the parents’ bedroom, unless the family was wealthy enough to have a nanny.”  She cocks her head and asks, “Any questions?”

            The couple from Manchester walks to the window, murmuring to each other.  Tom stares at the bed as if Margaret’s bones were still on it.

            Teresa says, “And the ghost?”

            Everyone stops and all eyes are on Miss Micklewhite.  This must be the highlight of her day, Teresa thinks. 

            “Ah, yes, the ghost.  Although Margaret had a proper burial, people say her spirit still haunts the Manor House.”

            The Manchester woman speaks up.  “Has someone seen her?”

            “There are those who claim to have done.  I myself—” 

            Stefan interrupts her.  “You English are so superstitious,” he says.  “All this talk of ghosts!”  He waves his hand as if brushing the whole idea aside.  “We Dutch are practical.  I am a chemist.  There is no scientific proof that ghosts exist.”

            “Yes, well–” Miss Micklewhite begins.  Behind them, the door swings shut with a soft click.  Miss Micklewhite shakes her head and makes a tsking noise.  She takes a key from her skirt pocket and unlocks the door.  “Shall we go down?  There are lovely gardens for you to stroll in, and paths through the woods if you enjoy a longer walk.  Sandwiches and cream teas are available in the Tea Room across the courtyard.  I hope you enjoyed the tour.”

            She steps aside as the group leaves.  Stefan and Tom exit first.  The father’s shoulders are stiff, but Tom’s are hunched over.  He holds his father’s hand.  Teresa is the last to go.  She looks around the room once more, at the bed, the bureau, and the cradle. 

            Miss Micklewhite gestures to the cradle.  “We like to keep the cradle here by the hearth, so our visitors have room to stand,” she says.  “But always after a big storm during the night, we find the cradle has moved close to the bed.”  The guide purses her lips.  “Of course, our Dutch gentleman wouldn’t believe that.” 

            Teresa nods, then points to the door.  “Miss Micklewhite,” she says, stopping at the top of the steps.  “This door–“

            “”Oh, yes,” Miss Micklewhite nods.  “Margaret likes to lock us in.  I always carry a key in my pocket.”  She pats her skirt where the wrought-iron key makes a slight bulge.  “After you, dear.”

            Teresa is thoughtful as she returns to her rooms.  In the daylight, she sees the sign by her door: Garden View Suite.  She stops in the living room for a long look.  The couch, coffee table, and end tables are vintage 1950s.  The kitchen appliances, except for a new combination washer-dryer, are about thirty years older.  Teresa fills the electric kettle with water and clicks it on.

            “Time to get to work,” she says aloud.  While the water is heating, she goes upstairs.  It is brighter in the bedroom, thanks to the large bay window.  I’ll work up here, she decides.  She takes her laptop from its case.  A few minutes later she has rearranged the bedroom.  The little desk is now under the window where she has a glorious view of the gardens and the woods beyond.  The bed is against the wall opposite the door.  With her laptop turned on, Teresa settles herself on the chair.  She opens a blank document and begins to type.

The Manor House: A Tale of Two Ghosts C. 3

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Chapter 3: The Legend

            “Sometime during the 1700s, the Manor House passed into the hands of a farming family.  Life was far from easy for the farmers here on the coast.  They often turned to wrecking or smuggling to supplement the meager crops they could grow in our rocky soil.” 

            As she speaks, Miss Micklewhite stops from time to time so Stefan can relay the story to Tom.  “If you have been down to the sea, you have seen how jagged our coastline is.  There are rocks strewn offshore that are hidden at high tide, very dangerous to ships passing by.  And there are many coves and stream outlets ideal for hiding contraband.

            “In the late 1790s, a farmer and his wife lived here in the Manor.  Their name was Braithewaite.  John Braithewaite struggled hard to make ends meet.  Finally, he took to wrecking.  Now the regular wreckers were folks who took goods from the cargoes of ships that had smashed up on the rocks.  But there were also wreckers who put out false lights to lure ships to their destruction.  John Braithewaite joined up with some of these unscrupulous men.

            “Now Braithewaite had a son named George.  George worked the farm with his father.  He had a wife, and a little girl named Margaret. George discovered his father’s nefarious business.  He was so unhappy about it that he moved away to live with relatives in Somerset.”  At the mention of the ghost’s name, Teresa shivers.  She is no stranger to apparitions, yet still she can feel the hairs rise on the back of her neck.

            “George Braithewaite adored his little daughter, and she loved him dearly.  Later, George and his family went to live in Ireland.  Unfortunately, George did not fare well in Ireland.  When Margaret was in her early teens, George had news that his father had died, and he left his family in Ireland and moved back to the Manor House.  Being short of funds, he took up wrecking like his father. 

            “Margaret grew up and married an Irishman. Some years passed and Margaret longed to see her father again.  She took her youngest son, a babe of nine months, and boarded a ship for England.  Perhaps Margaret meant to surprise her father, or perhaps her letter went astray.  In any case, she was aboard the ship that her father, George, and his fellow wreckers lured onto the rocks with their false lights.

            “It was a moonless night, and the rain poured down.  The wreckers stripped the ship, hid the goods in caves.  One of the wreckers found a young woman among the rocks on the shore.  Her face was swollen and bruised from the tossing she had received.  The wrecker called George over and they divided her jewelry between them.  But then the woman moaned, and they realized she was still alive.  Thinking of asking a fine ransom, they piled her on to George’s cart with the barrels and boxes.  At the Manor House, they laid her out upon a bed in an upstairs room.  She died before morning. 

            “The following day, George was shown a list of the passengers on the ship.  He realized then that the young woman was Margaret, his daughter.  His grandson had also perished in the wreck, but his body was never found.  George was horrified and distraught with guilt and shame.  He blocked up the room with Margaret’s body still inside, sealing it off with bricks.  The window to the room was blocked up as well.”

            Miss Micklewhite gestures toward the closed door on their left.  “Please follow me into that room.”  She steps over to the door and opens it with a flourish. 

The Manor House: A Tale of Two Ghosts

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Chapter 2

Miss Micklewhite unlocks the Manor House door promptly at ten a.m. the next morning.  She is Teresa’s stereotype of the English spinster.  Dressed in a tweed skirt, a blue sweater set and sensible shoes, Miss Micklewhite has soft pink jowls, twinkling brown eyes, and a puff of white hair.

            “Good morning, dear,” Miss Micklewhite greets Teresa as she turns the sign in the door from “closed” to “open.”  “Did you have a good night?”

            “No, actually.  I was going to ask you.  How much time does one pound get on the electric meter?”

            “Oh, about four hours, give or take.  Do you need some coins?”

            “No,” Teresa answers.  “Last night the lights went out about forty minutes after I put a coin in.  And then they went back on a few minutes later.”

            “Oh, dear.  Up to her tricks again, is she?”  Miss Micklewhite shakes her head and smiles.

            “Who is?” Teresa asks.

            “Margaret, our ghost.”

            Teresa blinks.  “Your ghost?”

            “Oh, yes.  She does like to play with the electric.  I hope that—” Miss Micklewhite breaks off at the sound of tires crunching down the gravel drive.  “Here are our new guests,” she says, and walks out to meet the arrivals.

            Teresa watches from the flagstone patio as five people emerge from the blue mini-van: mother, father and three children all blond and pink-cheeked.

            “Stefan Roorda,” the man says, holding his hand out to Teresa. They exchange names.  The mother is Rhoda.  The son, Tom, appears to be about nine years old.  The little girls, Elsa and Susannah, are preschoolers, maybe about five and three.  They are incredibly cute in denim overalls with red blouses.

            Miss Micklewhite produces a room key.  Rhoda takes the girls with her to unload the van. Stefan and his son decide to take the tour.  Two more visitors join them, an elderly couple on holiday who come from Manchester.

            Miss Micklewhite begins the tour in the oldest part of the house, constructed in 1165.  Teresa stares at the bulky stone fireplace and finds it hard to imagine any house surviving for over eight hundred years.  Later, the manor belonged to a relative of Henry the VIII.  The scarred wood floors and the oak paneled walls seem to glow with the inner warmth of years of human occupation. 

            The next room, with its hefty desk, was the Manor House office.  Here the lord and his manager conducted business, kept accounts, and discussed the needs of the land.  The big, irregular beams, Miss Micklewhite tells them, came from ships.  Builders liked to use the wood from ships because it was already well-seasoned.

            Teresa gazes up at the ceiling.  She wonders if the beams were reclaimed from ships wrecked by wreckers.  A longtime fan of Daphne du Maurier’s books, Teresa is alert to references regarding the pirates and smugglers who took advantage of the many bays and inlets of the Cornish coast.

            As they follow Miss Micklewhite from room to room, Stefan translates her narrative to Tom.  Teresa likes listening to the sounds of the Dutch language.  Not quite as guttural as German, it still lacks the lyrical lilt of Spanish or Italian.  Between the office and the kitchen there is a small chapel with a narrow, stained-glass window.  The room is Shaker-plain, with a stone niche intended to hold a crucifix.  On a table spread with a red damask runner are a chalice and a pewter bowl.  Miss Mickelwhite explains that after Henry VIII separated from the Catholic Church and created the Church of England, practicing Catholics went into hiding.  From Elizabeth I until the early 1800’s, Catholics were often persecuted.  Hence the presence of a “priest’s hole” beneath the trap door in the floor.  Pulling up the door with its iron ring, she shows them a small room like a root cellar.  Teresa shivers as she considers what it might have felt like to hide in such a cold, dank cell. 

            Kitchens always fascinate Teresa, no matter to which era they belong.  The Manor kitchen was remodeled several times over.  The current one dates from the mid-1800s.  The kitchen is sparsely appointed.  Three copper pans hang on one wall.  There is a large fireplace big enough to stand in, a small baking oven beside it and a chopping block whose surface has been worn to a concave curve.  Teresa closes her eyes and imagines what this room must have been like when it was in use.  There would have been embers glowing in the grate, a pot of stew cooking.  The air would have been hot and filled with the fragrance of baking bread.  On opening her eyes again, Teresa is washed by a wave of sadness, that there is no life in this room that once was likely the heart of this venerable house.

            Having seen the first floor, the group follows Miss Micklewhite up a flight of stairs to the rooms above.  The first bedchamber is typical of what Teresa has seen in other historic houses.  A four-poster bed with heavy curtains dominates the room.  Beside it stands a washstand with matching pitcher, bowl, and shaving brush.

            “This was the main bedroom of the house,” Miss Micklewhite intones.  She seems a bit bored with her recitation.  Teresa thinks that she, herself, would also tire of giving the same speech several times each day, all summer long.

            Tom tugs on his father’s sleeve and whispers to him.  Stefan puts up a finger for Miss Micklewhite’s attention and says, “My son wishes to know where the children slept.”

            “Good question,” replies Miss Mickelwhite.  She must have been a teacher, Teresa decides.

            Miss Micklewhite bends down, lifts up the bedskirt, and shows Tom the trundle bed beneath. 

            “Children your age might sleep here, in their parents’ room.  Babies had cradles like the one you’ll see in next room.  Older children shared the second bedroom or slept together in the attic.”

            Stefan translates all this information to Tom.  Miss Micklewhite waits until Stefan has finished, and then she clasps her hands as if she is about to begin an aria.  “And now,” she says, “I should like to tell you a tale.”  She pauses; her air of boredom is replaced by an electric sparkle.  “It is a tale of murder and destruction and great sorrow.”  Another pause as if Miss Micklewhite is waiting for their attention, but there is no need.  She has it.

The Manor House: A Tale of Two Ghosts

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Dear Readers and Followers: Recently I reread this novella that I wrote some years ago. I liked it so much that I decided to share it here in the blog. I hope you enjoy the read, and do please post comments. Thank you for reading!

Chapter 1: Arrival

            The Manor House was considered beautiful in its time.  Now it is a relic.  The rippling glass in the windows bends the sunlight into bright splotches on the wide plank floor.  Teresa stands in the parlor, waiting for Miss. Micklewhite to produce a room key from the jumble in her desk drawer.  Beyond the waving window glass Teresa can see the pebbled drive, the car park, and the rise of the steep road that led up this hill from the tacky beach town below.

            Teresa found the Manor House on the Internet.  She was looking for an inexpensive hotel near the sea in Cornwall or Devonshire.  While Cornwall had the attractions of the touristy sea towns like Fowey, and Tintagel Castle, Devonshire had the moors.  Teresa, on booking the room for a week, even had a brief fantasy about riding a horse across the moor.  This was the very same land of Jamaica Inn fame, and chilling stories of smugglers and pirates.

            Key in hand, Teresa hitches up her bag and walks around to the back of the Manor House.  Here are several additions, and in one is her suite.  There is a tiny living room, and a galley kitchen.  Up a spiral staircase are a bath and a bedroom with sloping ceilings.  Dropping her bag on a chair, Teresa opens the window and breathes in.  She can smell the oily saltiness of sea air and, from below, the rich odor of newly turned earth.  She sees a garden with paths, a bench, and even a gardener wearing a smashed felt hat and smoking a pipe.  So perfectly British.  Teresa is charmed.

            The water heater and the electricity require pound coins to perform their magic.  Teresa checks her purse and counts five pounds.  She hopes they will be enough to keep her in light and hot water until tomorrow.  Pocketing her key, Teresa returns to her car for the groceries.  Milk, a loaf of bread, eggs, tea, sugar, apples, and a tin of biscuits should last her for a day or two.  Tomorrow she will take the tour of the Manor House.  It opens at ten a.m.

         The sun is slanting low through her window.  Teresa shuts it tight.  She takes two pounds and puts one in the slot on the water heater and the other she drops into the electric meter.  As the sun sets, she has some tea and biscuits while she waits for the water to heat.  She runs the bath and slides into deliciously hot water.  She is reading her Country Living magazine when there is a loud click and the lights go out.

            “Oh, shit!” Teresa mutters into the darkness.  She can see nothing at first.  After a minute or two her eyes adjust with the help of the faint light from somewhere outdoors.  She steps out of the bath, wraps herself in a towel, and feels her way to the door.  She knows the stairs are somewhere to the left.  Sliding one foot forward, then the other, she moves in the manner of an arthritic ice skater across the landing.  With her hands waving like insect antennae, she finally whacks the top of the stair rail with her wrist.  Teresa tries to picture the spiral staircase, but she can’t remember which way it turns.  It is even darker, if possible, in the stairwell as she creeps her toes to the edge of each step before lowering herself down.  She negotiates the turn successfully.  When her right foot feels a cool, wide piece of wood, she thinks she is at the bottom.  She steps out with her left and falls forward down the last two steps.

            Teresa slams on to the floor with a bone-cracking crash.  Her shoulder hits something.  Later she will know it was the leg of the coffee table.  She lies splayed on the floor, disoriented.  Every single body part hurts.  I’m too old for this, she thinks.  It’s one thing to fall when you’re a child, another when you’re sixty-three.  She doesn’t know where in the room she has fallen.  Wiping tears from her eyes, she is just able to make out the red glow of the water heater when the lights go back on.  She hears laughter, a woman’s voice, from the room next door.

            Hours later, bruises iced and with a flashlight beside the bed, Teresa falls asleep.

Barbie

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I wanted a Barbie doll.

I was twelve years old.

My mother commuted to a full-time job.

My father restlessly rested at home

from a heart attack

I must have told them

that I wanted a Barbie.

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I was in sixth grade in a new school,

after spending a year abroad,

on the road with my parents.

Did I tell them the kids thought

I didn’t speak English?

Did I tell them my clothes and hair and glasses

were all wrong?

I said I wanted a Barbie.

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My father said,

You’re too old to play with dolls.

He was right—sort of.

I was that horrible in-between age

when the dolls and fantasy games

didn’t satisfy anymore,

but nothing had come along to fill the gap

–except books.

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You’re too old to play with dolls.

I went to my room and cried

for my old self that used to be.

And he felt sorry, and went out

and chose a Barbie for me

with a platinum bouffant hairdo

and a slinky shocking pink cocktail dress

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I said “thank you” as I should

and never

played with it.

FirstFire

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(inspired by Fire by Joy Harjo)

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Oh, to be a night wind woman

star-singer, primal spark

riding the rolling air

in the cool high dark

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Oh, to be a night wind woman

wrapped in a shawl of allegory

gift of the hidden race

keeper of secrets and story

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Oh, to be a night wind woman

Mary Magdala’s daughter

bearer of truth and lightning

radiant comet, sacred water

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Oh, to be a night wind woman

in whom all life began 

spiral of the universe

imprinted on her hand

Overcast

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early morning

two birds in silhouette

beneath the big pine

wings outspread,

barely moving

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left side bird is larger

right side bird wobbles its wings

Crows’ strange mating ritual?

A standoff between two males?

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I stare, squint and puzzle

the brain adjusts the shadows

that become the heads

of two deer resting–

wing-shaped ears

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The armed soldier

is a sharecropper

mourning two sons

The immigrant cleaner

taught calculus

in her home country

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To question our brains’

perception–what

we think we see, know

truth lies deeper

Why Short Hair (at 15 breaths per minute)

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-wash it 2 or 3 times a week…..45 minutes, 675 breaths

-blow dry after wash…………….60 minutes, 900 breaths

-get haircuts……………………….30 minutes, 450 breaths

-get it permed……………………..90 minutes, 1350 breaths

-get highlights……………………..90 minutes, 1350 breaths

-check appearance daily in any

reflective surface…………………10 minutes, 150 breaths

-thinking about it daily.…………10 minutes, 150 breaths