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In a Louisiana prison,
some inmates sew quilts.
Shelves overflow with stacks of fabric,
sorted into categories:
children’s, sixties, flowers.
And arranged by colors.
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Sharp tools like rotary cutters and scissors
are signed out and tracked.
If a man breaks a rule, he’s barred.
The finished “sandwich”
with pieced top, batting and back
goes to the long arm machine
to be stitched together.
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Completed quilts go to foster kids.
Letters of thanks from the parents and kids
are wept over and stapled to a huge board.
One man sits up designing quilts on graph paper
when he can’t sleep.
Another chooses only fabric with butterflies,
because his mother liked them.
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The supervisor was incarcerated at age twenty.
He’s now sixty-four. He teaches and offers praise
and encouragement.
One quilter says he gets so absorbed in his project
that he forgets where he is.
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It’s to weep over, these inmates finding meaning
in creative work that produces something beautiful,
something useful, for someone young and needy,
like they were, once, years ago.