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Chapter 17: The Drawer
All through breakfast, Teresa thinks about the conflicting stories. Was Margaret’s mother Mary or Eliza? If the newborn boy died with Eliza, whose child moved with Margaret and George to Somerset? Teresa finds one of her legal pads in her computer case. She starts making notes. The chronology is getting complicated; she needs to record the information. She writes:
–Margaret’s room discovered in 1865
-Margaret died and room was closed up in 1790
-Margaret died in her early 20s
– born around 1765 (?)
-Mother (Mary? Eliza?) died approx. 1775 (?) Margaret about 10 years old
-family moved to Ireland, Margaret approx. 15 years (?) in 1780
-George returned home to Manor
-shipwreck 1790
Questions:
-name of ship she was on
-names of other wreckers who worked with George? John?
-descendants who would know family history?
-ship’s log?
-birth/death records in church?
Teresa puts down her pen. The pull of this new writing project is like a strong magnet, separating her from her father’s story and its deadline. She realizes she must focus on the autobiography, or it will fizzle away like a match burning out. Already, last night, Teresa emailed her editor, Janine, with the proposal for Margaret’s story. Janine always replies within twenty-four hours. Teresa is sure Janine will be interested, even excited, about such a departure from Teresa’s usual work.
When she walks into the bedroom to begin writing, Teresa sees the open drawer. She is reminded of the spilled tea and peers into the drawer with some apprehension. Sure enough, the damage is bad. The wooden bottom of the drawer has warped and bowed upward. There is a wide crack along the arch of the wood. She pushes down the warped board gingerly, but rather than flattening out as she hopes, it cracks open further. Teresa can now see something dark and shiny showing through the gap.
“Curiouser and curiouser,” Teresa murmurs.
She tries sliding her fingers in the slit but she can only touch the object. It feels smooth and slightly slick to her fingertips. Determined now, Teresa hurries down to the kitchen for a knife. The drawer bottom is wedged into a groove at each end. It won’t slide forward or back. If she raises one edge with the knife, she can just manage to pry up the wood high enough to see in. Visible now is a packet of some sort, tied with a cord.
Tossing all caution aside, Teresa uses the knife to break open one side of the false drawer bottom. She lifts out the packet. It is made of oiled cloth, the eighteenth century’s version of a Ziploc plastic bag. Teresa sits down in the chair. Her hands are trembling. The cord crumbles in her fingers. She brushes the pieces aside. She unfolds the flap. Inside is a folded paper, brittle to the touch. When she slips it out and tries to unfold it, the yellowed paper cracks into thirds. Teresa lines up the pieces on the desk. The writing is faint, in a hand that appears labored, with ill-formed letters, as if the writer used the skill infrequently. It is dated: 12th September, 1790. Some parts are washed out and illegible.
Teresa reads:
Herein lies the full and true acc——- the activities of George Lyon Braithewaite —–anor House, Mantecoombe, De——-ire.———— night of September 9th ——-fellow wreckers F———- Thomson and Andrew ——-
—–ster put a false fire ——rrow’s Point. ———– ————- great storm ——— ship the ————–ve came in on the rocks. ——— 11 barrels of brandy and ——–es of tea. Frederick cal—– me ——- body of a young woman, face ba————- swollen. ——–valuables ——-alive —-to the house——–her——- pstairs bedchamber.
——-morning ——constable came with the shipping co——- list——-ssengers. ——-my own de—– daugh—– Margaret ——-instrument of her untimely death—–grandson Lucas, a babe of ———- liv——— M——t —-sealed——-tomb. ——unspeakable loss —- eternal remorse —–life —————living hell.
This ———sworn statement signed this 12th day of Sep———–he year of our Lord, 1790.
Geor——-Ly——–raithewaite.
Teresa lets her breath out in a long exhale.
“Holy Mary, Mother of God,” she says, reverting to the most awe-inspired exclamation from her Catholic upbringing.
With her mind racing, Teresa lifts the packet and shakes it out over the desk. Two rings, a pair of earrings, and a bracelet fall out in a thin stream of sand. They land on the desk surface with a gentle chink. One ring is a plain gold band; the other has a small garnet in a beveled setting. The earrings are garnets as well, and match the style of the ring. The bracelet is made of three bands of thin gold woven into the claddagh symbol of Ireland, with the crown for loyalty, the clasped hands for friendship, and the heart for love.
The air in the bedroom is cold and damp. Teresa shivers, whether from cold or emotion, she couldn’t say. Margaret’s jewelry catches the morning sunlight. Teresa’s first urge is to go to Miss MIcklewhite or Mr. Braithewaite with her discovery. She has the oilcloth bag repacked and is ready to run downstairs when she pauses. Once the treasures are in other hands, she’ll never have them to herself again. Teresa retraces her steps. Getting her digital camera, she takes careful, clear photographs of the jewelry and each section of George’s confession.
Almost four hours and much excitement later, Teresa returns to her bedroom. The antique desk, site of the discovery, is gone, replaced by a newer, less elegant one. Mr. Braithewaite, who, it turns out, is really Lord Braithewaite, has taken the packet to the Victoria and Albert Museum, where a curator friend of his waits to examine the find. Trish text-messaged her sister in town with the news, and it was all that was needed to spread the word. The local press has come and gone. Teresa told her part of the story so many times that her throat feels scratchy. It is two in the afternoon. and she feels worn out.
Teresa makes herself a strong cup of tea before sitting down in front of her laptop. With all the brouhaha, Teresa feels distanced from her own tale, yet she must finish it, and soon. She boots up the story, rereads the last chapter, and begins.





